Thursday 15 October 2009

MD Pitch Evaluation

Within our pitch we explained many features of our production that we felt were important to not only our idea but the research that has taken place within our group. Bullet point notes were made on the slide show so that we were able to expand and analyse them to the class. After showing the first thirty seconds of our track to the class we went on to present mood boards and explain how our ideas have changed over time. We also presented ideas for album covers along with what our video will do for the band from a promotion aspect.

As a group we feel that our pitch went well and we made all the relevant points that we felt necessary. The only aspect that was bought up more than once in association with our location was exactly how we would create a strong lighting effect for performance. One option to overcome this challenge would be to take down a spotlight to our location so that the lights at the location will not have to be touched by any ametuer light operator. Overall we were very pleased with the way in which the pitch went, ideas were conversed and yet more conclusions were made about our production.

Wednesday 14 October 2009

Friday 9 October 2009

Thursday 8 October 2009

MD Album Cover Collage


MD Audience Research Evaluation / Results

Within the focus group that we held, a lot of potential ideas came up. One of the members of the group came up with an expansion of our original idea, where an empty venue slowly fills as the band perform the song. As a group we have seriously considered this idea but eventually disregarded it.

Without a doubt we feel that our audience research was vital, after playing the track and showing the group our preliminary task ideas were bouncing of the walls. Some members of the group also gave ideas for people to star in the video which has helped us as a group once again within the casting part of our production.

After showing the group our Brighton Preliminary Task, a large majority of the group made positive comments on some of the different shots used including the sped up crowd shots and 360 degree pans. We then handed out a questionnaire to the group, and it seemed as if after watching the preliminary task and listening to what i had to say about our ideas, people changed their minds in favour of having an entirely performanced based video.

Undoubtedly the questionnaire gave us more information about our target audience proving a useful tool.

(Research)

Take a look at this video, i really like the variety of shots as well as the strong lighting.
http://www.youtube.com/watch?v=XRJ2Ky5IHic

SD Record of Ideas Development

Our final idea for our production consists of band playing to a empty venue being prepared for an event later that day. It is a casual yet happy performance that turns the heads of cleaners and other members of staff.

Possible ideas for costume include:
> Multi-coloured paint splattered t-shirts.
> All white/black outfit.
> Standard Indie look of chequered shirt and skinny tie with slim jeans.
> Casual jeans and T-shirt.

Possible ideas for props include:
> Cleaning equiptment for extras,
> Instruments.
> Speakers.
> Lights.

Within the casting we want to include a member of our group so that a truely passionate performance can be given in our style. Other members of the band will consist of friends that we know and trust to turn up on time to shoots. The general look of the whole band will be similar to the characters we have researched.

SD Music Video Analysis #2

Godspeed - Anberlin
http://www.youtube.com/watch?v=s-HpHadZGLk

Genre and Narrative

For my second music video analysis, I have chosen “Godspeed” by Anberlin due to the variety of effects and location in this video. The song is very fast paced and sits within the rock pop genre. However by listening to the song you can tell from the electric guitar solos and quick drum beats that this song is swayed towards the rock genre. Songs within the rock pop genre tend to be part performance, part narrative based whereas looking at rock genre music videos, they tend to be mostly performance based. Rock videos like “Godspeed” are likely to have a fast cutting rhythm with performance taking place, with the use of handycam and multiple effects making the video seem loud.

The lyrics to “Godspeed” talk a lot about the higher class people but mainly drugs and the effect of them. The first example of drug use is the line, "When needles and lovers collapse on guilty beds," this is an obvious reference to people that use drugs and have promiscuous sex since it becomes a bed where they do their addicted actions and thus feel guilt afterwards or are afraid people will find out. The line "We’ll rest in our graves," is quite difficult to determine what it means, but I see this as a sort of battle cry for people that don't do drugs or compulsive sex or drinking and saying that they won't give in. Even the title refers to drugs as in the song "Godspeed to all you're after" is said. Godspeed is a an old saying, which has now become a sort of cliché, for telling you "good luck", yet here it looks as if he's saying it almost mockingly toward a person that wants to pursue a life of poor choices. "Tell them who you were, who you really were" this is quite an obvious lyric; it talks about how people change when they do drugs or bad habits. "Kill yourself slowly over time, fashion statement suicide" This is saying how drugs and drinking will kill you slowly over your life, and that a lot of people are obsessed about fashion and how they look, and in some cases, commit suicide because they feel ugly.

The song has a very loud and constantly fast drum beat accompanied by a constant electric guitar playing. During the video for “Godspeed”, you notice that the camera is continually moving around the band focusing on individual members, yet the cutting rhythm is so quick you can barely tell. This adds to the effect of the rock atmosphere, a lot seems to be going making the video seem almost hectic which the fits with the song. The shaking effect is added to the majority of the shots in the video making the song seem intense which then compliments the frantic melody.
This music video is entirely performance based. It takes place in the middle of darkness surrounded by woods and fog with bright lights glaring through. The location offers a dark atmosphere which fits with the genre and also the band who are dressed in mainly dark clothing. Flashing lights are used throughout the video to cause an almost delusional and epileptic effect. Yet again this will add to the rock impression making it seem as though a lot is happening at once. The use of debris or ash is also used within this song to make a little more unique. It could have been added to the video because of the lyrics, “Burning down bridges now, scatter the ashes” which reinforces what they are trying to say in the song. As it falls from the sky and floats around the air, it could make the band seem rebellious as they are playing with fire.

Media Language

Visual techniques are incredibly important, especially in this music video. There aren’t that many close ups of the singer in this particular video as the lighting and fast cutting rhythm don’t allow you to see anyone’s face very clear or noticeable. The majority of the shots are of a single person in the band with their instrument but there are occasions where the whole band is shown in a long shot. The record company is aware that showing the lead singer up close can promote the band, but they may want to make the audience want to know a bit more about them rather than showing them close up and exposed. Anberlin’s music videos tend to be very individual in their own way as their music varies from rock to pop to almost acoustic. They have a few that are very abstract with the use of green screen coming into the equation which represents their fun side. Although their videos vary in style, throughout all of them you can see the use of shakycam and parts that have slow motion. Both of these techniques are used frequently in the rock genre music videos as it builds atmosphere and helps create a powerful sensation.

Although it is difficult to see in the lighting, Anberlin’s costume is dark and nothing too extraordinary. As all the band members have that dark look to them, it gives you the idea that they are all part of the band. Camera work in this video has to be the most important feature as it helps create the atmosphere really well. Shakycam and a slight bit of slow motion combine really well together with the fast cutting rate emphasising the greatness and the significant moments in the song. There isn’t any sign of ‘looking’ in this video as he doesn’t even look into the camera either.

Like a lot of rock music videos nowadays, “Godspeed” is purely performance based, with the singer and band as the main focus. Mainstream rock videos tend to have the whole band in the picture with a narrative based around the lead singer but Anberlin decided they would cut the narrative part and focus on the camera work and editing. Anberlin have followed this mainstream idea of solely performance based but have made it seem less revealing as the band’s faces can be barely seen in the darkness. The use of ash or debris isn’t commonly used, so in that sense the video is challenging the common expectations of a rock music video. The performance of the band isn’t over exaggerated yet rock dance moves such as head banging are brought in to continue the rock feel of the video.

Institution and Audience

The music video for "Godspeed" is most likely to be consumed on the rock music channels on television such as "Kerrang" as this would show the video to the more ambient viewers watching who are loyal to this genre of music videos. It would also be watched on website such as "Myspace" or "Youtube" as people would still enjoy to see it in their own time. Even though the video can be appreciated in a focused viewing style with the message it is trying to send, the video has many performance based shots which would also work well for the ambient viewing audience.
For this particular song the record label plays an important role concerning the promotional aspect of this video as they would send copies to music channels such as 'Kerrang'. Also MTV would be interested as Anberlin are a fairly popular band in the rock genre

Conclusion

I have concluded that “Godspeed” was a helpful music video to analyse due to the fast cutting rate and camera techniques adding feeling to the video. The use of fog, bright lights and also debris made this music video very individual and stand out above a lot of other mainstream rock videos. Few of the lyrics are illustrated in the music video with the performance based visuals, showing typical conventions of a rock video along with the dance moves and band presentation.

Wednesday 7 October 2009

MD Music Video Analysis #2

Kiss and Tell - You Me At Six
http://www.youtube.com/watch?v=6hHA7vBJUE4

Genre and Narrative

The song ‘Kiss and Tell’ is written and performed by ‘You Me At Six’. I have chosen to analyse this particular song as it is the most recent production released by ‘You Me At Six’, the band that we have chosen to create our music video for. I felt that it would be important to look at a music video starring the band, to understand the way in which they are being represented in the modern day. It is also helpful in looking at the different shots and special effects used, so that continuity can be an issue throughout all of the bands productions including our video that we plan to create following particular guide lines concerning ‘You Me At Six’. James Copeman directed the video, he also directed such productions as ‘5 Years Time’ by ‘Noah and the Wale’. The director shows the level at which the band is at, and it is obvious that they are on their way up the ladder as the video productions are becoming more and more recognisable as pieces of art rather than simple advertisements for the upcoming song as well as the band.

The music video is mainly performance based but with other conceptual shots around the performance adding to variety and the way in which the video is received. The video stays within the lines of the ‘pop rock’ genre, showing an exceptionally energetic performance along with scenes from a party that the target audience could be able to relate with. Within the video costume also plays a big part in keeping with genre characteristics, in this case the band are all wearing jeans and t-shirts which emphasis the location that they are situated. The costumes show how comfortable they are performing in the house party, this element of comfort that the band shows can appeal to an audience in a positive way. Even such small fashion statements as hair styles also play a big part in the way in which the band are represented, within the video the band are shown to have long hair which tends to fit in once again with genre characteristics. Another effective technique that James Copeman has captured well is the way in which the band communicates with each other, they are shown to be good friends throughout the video which once again can be seen as a strong and positive way to be represented as a young ‘pop rock’ group. The confined location also supports the genre along with the time of day in which it has been shot, which appears to be night. As the video is mainly performance based there is no element of notion of looking which is my opinion adds to the intensity of the performance.

One of the most obvious ways in which the lyrics within the song relate to the visuals is the way in which the lead singer ‘Josh Franceschi’ acts as he sings. As he sings the lyrics ‘everybody wants to be in your head and under your skin’ he acts along with it pointing at his head and scratching his own skin. It is not just the lyrics that play a part within the song relating to visuals, the actual music is a very effective. During the quieter parts of the song where the drums are the only instrument being played the audience is given a variety of drummer shots that relate perfectly to the tempo of the song, this simple yet effective technique is vital to the way in which the video is being presented.

It is also relevant to analyse whether or not the video can be considered art or advertisement, the sheer amount of performance shots used along with the confined location would imply a strong element of advertisement, but in my opinion the way in which the performance is shot is key to the way it’s represented, I feel that the shots used give it an auteur feel. Also, when looking at James Copeman’s other well know production of ‘5 Years Time’ it is obvious that he has visions within his videos that he intends to show and tell the world.

The video shows a variety of mid, long and close up shots. Each shot does a different job for example the long and mid shots are there to help the audience simply understand the meaning of the video and see what is going on within performance. The close ups are used to give audience satisfaction in seeing the lead singer along with other members of the band, along with a slight advertising feel in the sense that the video is showing the band and helping people to remember faces for future prospects. As well as showing shots of the ‘meat’ for the video the close ups show the energy that is going into the performance and also the emotions that the band feel. Throughout the video a fast pace of cuts are used keeping in rhythm with the song as well as the tempo. Although a slight background conceptual idea is bought in it does not change the tempo of the cuts which keeps the audience locked onto the energy of the song which has obviously been seen as an important element for the target audience. The video keeps in line with a lot of variety also, for example lip synching and continuity editing enable for a comfortable viewing which is, at the end of the day vital for the audience.

The video itself does reflect an element of today’s society. It shows social realism in the sense that a party is going on and the house is being ruined. This technique though in this case is used just simply for relation purposes. The band want to appeal to their target audience of a teenage to early twenties age group, and by sticking with certain features within the video they seem to have achieved just that.

Media Language

Visual techniques are used throughout the video giving it an even strong auteur feel. Conventional fast paced shots fit in with the rock pop genre well. The pace of the song encourages fast paced cuts and the videos seem to work a lot better when shots are in time with the music. Other shots are also expected throughout a rock pop video, including canted angled shots as well as many handicam close ups which really do set this music video apart from the rest. Within the background scenes away from the performance many slow motion shots are used which once again fit in with the style and tempo of the music enabling for a relaxed audience viewing which is vital for a well created video for a popular band such as ‘You Me At Six’. This slow motion effect also works well for the audience being able to relate to the video and understand exactly the message that is being put across.

The start of the video consists of establishing shots of interesting items within the house of which the band are going to perform. This once again immediately creates a relationship between the audience and the video, enabling the audience to understand what is about to take place. The audience is also given an insight into the appearances of the band which is vital for advertisement as well as making the video work well as a piece of art.

Throughout music videos intertextual references play a vital part, if the audience can recognize a part of the plot they are able to relate and connect to the piece. Within this particular video, that I know of there doesn’t seem to be any intertextual reference apart from the conventional ‘rock pop’ performance given by the band in this confined area in a party. Because of this lack of intertextual reference it is logical to think that the video has become more of an original piece which is what was probably intended.

Representation

This music video could be seen as if it has come from a ‘meta-narrative’ which would imply that the song and video have been created about there own lives. In the case of the video, it could be showing past experience of the band, and just emphasising the fact that they want people to have a good time to their music and just to simply enjoy their original style. This idea of a ‘meta narrative’ would also help to sell the record, knowing that the band has influence the video with past experiences just helps to make the video even more appealing to an attentive audience.

There really are obvious social groups represented within the video, the main one being teenagers, they are shown partying and simply enjoying life. This feature could be appealing to the younger audience helping to sell records and make the band even more popular than it already is.

Ideological discourse issues raise important questions including that of gender which is represented throughout the video, although the band is of a male dominance the background shots within the party divides equally between male and female. The younger age group is undoubtedly the target audience for the video and are represented throughout, not only within the performance shots of the younger band members but also within the party shots of the teenagers that are having a good time. The dominant stereotype of teenagers being miserable is challenged within the video, where everyone is getting along and having a good time with each other.

Institution and Audience

This particular music video would be consumed through obvious media such as You Tube and My Space. Also, rock channels such as Kerrang and Scuzz play an important part in the promotional side of the video. Many loyal fans will tune in to these channels to see their favourite band’s new video. This video works very well for ambient viewing as it is quite simply people having a good time, which is easy for people to tune into half way through and watch.

The record label would also be involved within the promotional side of the music video, copies would be sent out to the music channels which is vital for selling records.